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Art education in the United States reflects the social values of American culture. Apprenticeship was once the norm and the main sense, however with the democratization of education, particularly as promoted by educational philosopher John Dewey, opportunities have greatly expanded. Elliot Eisner has been an influential advocate for the benefits of art in the schools. Enrollment in art classes at the high-school elective level peaked in the late 1960s to the early 1970s with that period's emphasis on individuals expressing uniqueness. Currently "art magnet schools", available in many larger communities, use art(s) as a core or underlying theme to attract those students motivated by personal interest or with the intention of becoming a professional or commercial artist. It is widely reported that the arts are losing instruction time in school based upon budget cuts in combination with increasing test-based assessments of children which the federal government's No Child Left Behind (NCLB) act requires. It is worth noting that while the NCLB retains the arts as part of the "core curriculum" for all schools, it does not require reporting any instruction time or assessment data for arts education content or performance standards, which is reason often cited for the decline or possible decline of arts education in American public schools. The funding for education in the United States comes from three levels; local level, state level and federal level. The whole system of education is kept in the hands of public sector for control and to avoid any mishandling. Recently, the U.S. Department of Education began awarding Arts in Education Model Development and Dissemination grants to support organizations with art expertise in their development of artistic curricula that helps students to better understand and retain academic information. One such model of education was created in 2006 by the Storytellers Inc. and ArtsTech (formerly Pan-Educational Institute). The curricula and method of learning is titled AXIS.〔(AXIS - Education Revolution )〕 ==Picture Study Movement, before 1930== The study of art appreciation in America began with the Picture Study Movement in the late 19th century and began to fade at the end of the 1920s. Picture study was an important part of the art education curriculum. Attention to the aesthetics in classrooms led to public interest in beautifying the school, home, and community, which was known as “Art in Daily Living”. The idea was to bring culture to the child to change the parents.〔Smith, Peter (1986,Sept.) The Ecology of Picture Study, ''Art Education''().〕 Picture study was made possible by the improved technologies of reproduction of images, growing public interest in art, the Progressive Movement in education, and growing numbers of immigrant children who were more visually literate than they were in English. The type of art included in the curriculum was from the Renaissance onward, but nothing considered “modern art” was taught. Often, teachers selected pictures that had a moral message. This is because a major factor in the development in aesthetics as a subject was its relationship to the moral education of the new citizens due to the influx of immigrants during the period. Aesthetics and art masterpieces were part of the popular idea of self culture, and the moralistic response to an artwork was within the capabilities of the teacher, who often did not have the artistic training to discuss the formal qualities of the artwork. A typical Picture Study lesson was as follows: Teachers purchased materials from the Perry Picture Series, for example. This is similar to the prepackaged curriculum we have today. These materials included a teacher’s picture that was larger for the class to look at together, and then smaller reproduction approximately 2 ¾” by 2” for each child to look at. These were generally in black and white or sepia tone. Children would often collect these cards and trade them much like modern day baseball cards. The teacher would give the students a certain amount of information about the picture and the artist who created it, such as the picture’s representational content, artist’s vital statistics, and a few biographical details about the artist. These were all included in the materials so an unskilled teacher could still present the information to his or her class. Then the teacher would ask a few discussion questions. Sometimes suggestions for language arts projects or studio activities were included in the materials. The picture study movement died out at the end of the 1920s as a result of new ideas regarding learning art appreciation through studio work became more popular in the United States. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Art education in the United States」の詳細全文を読む スポンサード リンク
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